There are few people whom I really love, and still fewer of whom I think well. The more I see of the world, the more am I dissatisfied with it.
Claude Monet’s home, Giverny
when everything around you’s changing like the weather (by manyfires)
"Now we know how."
Another aspect of this trope is Wright’s interest in hands. Eyes and hands are the body parts most figured in this interpretation as opposed to the distracting, low-cut empire-style dresses of the Regency period which riveted everyone’s attention on the women’s busts.